Negotiations of a woman's self: Liminal experiences and dialogic reconsiderations in Anna Banti's Un grido Lacerante

This article focuses on the authorial figure in Anna Banti's last work, Un grido lacerante. An introspective portrait of an aging author whose life and career have been shaped by remorse over a lost vocation, the novel has traditionally been interpreted as an expression of the autobiographical and historical dimension of Banti's work. Moving away from notions of self-confessional narratives in favor of an analysis of textual strategies, this study investigates the role of the protagonist within a self-research that opens up to shared experiences and problems of existential, interpersonal and sociocultural importance. This universalist focus engages in particular Bakhtin's concepts of dialogic construction and narrative space-time. While the “chronotope” of the threshold encloses the liminality of the protagonist between contradictory identities and inclinations, the idea of a “dialogic self” accentuates the function of this unresolved intermediate position in promoting a subject that is negotiated in relation to internal and external constraints. By formulating an unconventional idea of self and a narrative that develops in a fragmentary and contradictory way to overcome the limits of its own fiction, the novel confronts the constraints women face in pursuing their inclinations and aspirations and addresses issues of a more humanistic nature concerning the right to construct and define one's own identity independently of conceptions and norms of gender behaviour.